WFH 離開菜王團

 累計抗原快篩46次  核酸27次。

跟菜王團長買的鬱金香今天到貨了，這10枝看起來很是營養不良的樣子，而且花莖過短，找不到適用的花瓶，只好養在澆花壺，哈。看了團裡訊息，看到有鄰居對於這樣的品 質不滿就問菜王售後問題，這鄰居常買花，我在幾次買花的團購群都遇過她，應該對花很有概念，團購鬱金香10支25人民幣，CP質高是大家跟菜王團的原因，但不能因便宜就不要品質。

菜王是小區鄰居之一，在上海管控期間跟小區業委還有物業一起做團購，在小區內有名聲，是小區內有名的團長。菜王每次發起團購時都會PO文，說他蹲點了哪個農場並且確定了農場產品不錯價格公道才起團，還會跟鄰居們說如何做菜，因此是比較有號召力的團長。

菜王一開始收到鄰居客訴，還態度不錯的PO文說明怎麼醒花跟換水，後來鄰居持續說明不滿跟要求菜王去找農場要說法。菜王態度就轉成強硬地說這次鬱金香沒問題，那個皺皺花瓣的是鸚鵡鬱金香不是發育不良，還說鄰居的要求他無法回答，他只是團長不是農場主，鄰居很在意的話，他可以直接退款，他只是幫大家服務又沒多賺錢....就直接退款給了鄰居。哈!好熟悉的場景，記得疫情期間，也有鄰居對於官團的採購份數還有品質有疑慮，業委跟自願者們也是直接取消對抱怨鄰居的服務。

很少跟上菜王的團，因為菜王的團採購份量都很大，蔬果三五斤起，芒果西瓜..水果要論箱賣，肉類也是幾公斤起賣，一個人的採買很難跟菜王的團，好像只有買花沒有過量的問題可以跟得了。另外還有一個原因，就是跟菜王的團不能發出質疑，要對菜王感恩戴德。很煩這種操作，一般團長起團也是因為團長自己想吃想買，發起團購可以免運或是取得大宗購買的優惠價，各取所需。但菜王團長老是擺出一副犧牲奉獻不求回報的樣子，大家在群裡要PO文感謝，明明各取所需，為什麼就要把團長捧著念著呢?面對鄰居對商品的反應，如果你的操作要讓人以為你是代表，並樂於接收感謝吹捧，那有人對農場的產品質疑，你團長是不是該代表消費者問下農場，而不是替農場對付消費者，也不該用道德綁架讓消費者忍著接受。

看了群裡的爭執，現在快遞超市慢慢在恢復中，是時候退出這個群了，恢復正常跟超市買菜，恢復自由買賣。

人文書吧

作品名称：Litzlberg am Attersee.艺术家：Gustav Klimt.材料：oil on canvas.尺寸：110x110cm.创作年代：1914-15.

這幅畫好可愛 感覺像是童話故事

Gustav Klimt is mostly known for his golden, Byzantine-inspired period, of which the famous Kiss is the best example. But at the end of his life, the artist started to paint in a way inspired by the Impressionists and some of the Post-Impressionists. The Lake Attersee view we present today is among his most accomplished and celebrated landscapes. 

Klimt and his model and best friend Emilie Flöge spent the summer months of 1914 in Weissenbach on the south shore of Attersee, where a relative of the Flöge sisters lived. This picture has been historically dated to 1915 but it is possible that Klimt probably painted it in the latter half of 1914 whilst at his studio in Vienna. It is believed that the format for this composition is based on a bromide postcard of the Attersee lake which the artist had sent to his nephew on 13 August 1914. 

Klimt here also builds a bold mosaic of tessellated colors, the cool blue and green tones punctuated by the bright orange of the roofs. The effect is one of a flattening-out of the landscape, creating a richly textured surface that nevertheless retains great depth in its subtle modulation of color. In this surface patterning, Klimt's Litzlberg am Attersee is perhaps inspired by the folk tapestry and stained glass window techniques in which German and Austrian artists took a keen interest in the first decades of the 20th century.