WFH 繼續在家上班

這周買的多頭玫瑰+雀梅，這次的玫瑰的粉紅很低調。

繼續在家上班

因為上海沒有封，各小區也不能綁架居民要讓大家可以自由進出，但公司本著員工安全第一，將按照漸進式逐步復工，6/6開始第一步緊急性返回辦公室預案。就是說6/6那一周有緊急事需要進公司者得到特批後可以進入辦公室，大家還是按照目前在家工作模式上班。

小區內有核酸點了

昨天傍晚在外面找不到採樣點，今天小區物業通知小區內設置採樣點，太好了。雖然說不去辦公樓不搭車不用核酸，但是商場跟超市還是需要看72小時核酸碼，還是需要做核酸，唉。

攝影吧

天空上有雲大鷹在飛

人文書吧

作品名称：The Temptation of Saint Anthony.艺术家：Joos van Craesbeeck.材料：oil on canvas.尺寸：116x78cm.创作年代：1650.

After the division of the Netherlands into the Calvinist North and the Catholic South in the 16th century, Flemish artists revisited and revitalized old religious motifs to revive the Catholic tradition. Craesbeeck’s painting is a prime example of this.

The hermit Anthony has withdrawn to a distant stretch of coastline, but even here temptation seeks out the pious. A bright light illuminates the dark space and the eerie events occurring there. Anthony is seen sitting in front of his shelter, clutching the Scriptures to fortify himself. The sea washes up a flock of evil spirits that press in on him, with the closest being a lascivious woman. The scene is dominated, however, by the giant head of a man, from which countless devils arise as evil thoughts given physical form, while the man himself looks on in horror at the products of his mind. In his forehead (a peeled-open gash), devilish beings have lodged themselves: among them, a painter, an eyeglass, and a bird’s nest, leaving the viewer to wonder at their enigmatic meaning.

Craesbeeck wants to warn his fellow humankind and by doing so he is following a popular medieval tradition. As the motif of the macabre head demonstrates, he was influenced by the diableries of Hieronymus Bosch, Pieter Brueghel, and their followers. 

上海解封了，封控大記事就停更囉，希望不需要再續更。累計抗原快篩45次  核酸21次。