今天核酸，累計抗原快篩45次 核酸25次。
鄰居PO的麒麟花，記得小時候家裡也有
這兩天我們小區最熱門的議題是怎麼把白蟻清零，話題開始是說上海因為疫情封控導致錯過了滅蟲的最佳時期，跟防新冠一樣錯過時機造成上海史上第二次解放。這兩天氣溫濕熱，傍晚後很常看到飛蟻成群在路燈或是有光線處亂飛，擔心小區裡已經有蟻窩，萬一入屋內會造成很大的影響，鄰居開始討論怎麼滅白蟻。
看了他們的討論PO圖文，想說這上海人怎大驚小怪，這不是下雨前都會看到的飛蟻嗎? 以前在台灣下雨前常看到，出現了就是把紗窗關緊，不讓它飛進來就好了。看上海鄰居們的認真討論，我才知道這飛蟻進到屋子後，掉了翅膀就變成白蟻，就是那會蛀掉木頭的白蟻。
谷哥說飛蟻名叫大水蟻，是一窩白蟻到蟻量到達一定數量時需要分巢，工蟻就會變種並長出翅膀，就是我們常見的「飛蟻」。擁有翅膀的飛蟻會到處飛行找尋合適的地方，然後脫去翅膀，產卵繁衍後代，生產出「白蟻」變成白蟻巢，所以飛蟻是繁殖型白蟻。白蟻以木纖維為主食，因此讓飛蟻入屋成功繁殖的話，白蟻會侵食各種木製建材及傢俬。
趕走飛蟻的方法:
適時關門窗或加裝蚊紗網，讓光線不漏出室外，並使用黃燈，保持乾爽潔淨。
消滅飛蟻的方法:
坊間有一個方法就是用一盤水，然後透過燈光的折射吸引飛蟻飛進水中，以此殺滅飛蟻。可是家中光源很多，有機會把大量飛蟻吸引到屋內，只能殺滅部份飛蟻，沒有飛向水盤的飛蟻就會到其他地方脫掉翅膀，然後找地方躲藏繁殖，有了白蟻繁殖的機會。
加裝蚊網、保持家居乾爽，才是最有效的滅絕飛蟻方案，若不幸仍有飛蟻進到屋內，一定要即時消滅牠們，只要用吸塵機吸走便可。發現有白蟻肆虐的跡象，就已經不是自行能處理的情況了，必須盡快找專門處理白蟻問題的滅蟲公司處理了。
這周買的向日葵跟小雛菊很搭
人文書吧
作品名称：Honeysuckle Bower.艺术家：Peter Paul Rubens.材料：canvas,transferred to wood.尺寸：178x136.5cm.创作年代：1609/10.
歐洲古代的結婚照的意思
Rubens spent eight years in Italy studying antiquity and contemporary painting. In 1608 he returned to Antwerp and the following year became court painter to the governors in the Netherlands. A few days later, on 3 October 1609, he married Isabella Brant, who came from a patrician Antwerp family. This portrait was probably painted on this occasion.
The spontaneous and informal posture of Isabella sitting on the lawn is reminiscent of the pictorial tradition of "love gardens." The theme of love is also reflected in the eponymous arbor of honeysuckle, popularly known as Jelängerjelieber (the longer the better), which here speaks of the permanence of the covenant of love.
The central gesture of the interlocking hands as a sign of the marriage covenant follows ancient models. The heads of Rubens and Isabella turned towards each other give this gesture an additional meaning, marked by deep affection.
Rubens appears to the viewer as a nobleman, for his left hand rests on a sword. He would not be elevated to the rank of nobleman, however, until many years later. The sophisticated form of the full-length portrait derives from portraits of rulers. Aristocrats in particular were portrayed in this way. The social aspirations are underscored by the couple's carefully selected, sumptuous clothing, which follows the latest fashions.
Rubens seems to have crossed his legs in a relaxed manner. This is also a significant motif. It goes back to sources that were already widespread in the Middle Ages and symbolizes the otium sapientes, the thoughtful, creative leisure of the intellectually active person. Rubens thus presents himself as an intellectual personality, not as a working painter.
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