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作品名称：The Mandolin.艺术家：James Smetham.材料：oil on canvas .尺寸：49.5x40.7cm.创作年代：1866.
James Smetham was an English Pre-Raphaelite Brotherhood painter and engraver, a follower of Dante Gabriel Rossetti. The Mandolin may be considered his masterpiece. In conception it bears all the hallmarks Rossetti. The half-length female figure presented close to the picture plane and lacking background perspective, richly attired and mesmerizing, characterized Rossetti’s oeuvre at this date. That makes sense, as between 1863 and 1868 Smetham was in the habit of spending every Wednesday in Rossetti’s studio in Cheyne Walk, Chelsea, where they worked together.
The extent to which the picture may be a collaboration between the two artists is a moot point. A note on the reverse, dated 9 January 1933, states that the then owner was informed by Smetham’s widow that the picture was partially painted by Rossetti at the latter’s studio. The correspondence between the two artists reveals that Rossetti gave Smetham the utmost help and advice at this date and was concerned for his wellbeing. A postscript to a letter written by Rossetti to Smetham on 18 August 1866 reads "I hope the transaction for the mandolin picture turned out of some use."
It is difficult to identify Rossetti's contribution to this painting, but it is undoubtedly beautiful.
作品名称：Still Life with Fish.艺术家：Carl Bloch.材料：oil on canvas.尺寸：76.5x111.5cm.创作年代：1878.
From their location outside, in what looks like an idyllic sun-drenched garden, two boys watch an impressive accumulation of seafood on a kitchen table. They are scared but apparently also fascinated by the sight of a lobster with a raised scissor claw and a basket of eels and garfish, also with scissor-like jaws. From an open drawer, an eye-catching knife sticks out its sharp-edged blade. The idyllic scene is infused with a twist of eeriness and insecurity. That the knife is actually very sharp, the artist has underlined with a thin light stripe, showing how the blade captures and reflects the inflowing sunlight.
The painting is a typical example of the artist Carl Bloch's (1834–1890) virtuoso ability to depict objects and surfaces with a seductive illusionism. He plays with the effects of reality and questions who is inside and who is outside. The window is broken and provides no protection against the lobster's scissor claw, on the other hand we as spectators are threatened by the proximity to the sharp knife in the drawer. Humorous and deeply disturbing.
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